legal

Bridgeport Music, Inc. v. Dimension Films (2005)

The 6th Circuit precedent establishing that any physical sampling of a master sound recording, no matter how brief, constitutes automatic copyright infringement.

Bridgeport Music, Inc. v. Dimension Films, 410 F.3d 792 (6th Cir. 2005)

This case represents one of the most famous and controversial decisions in digital music copyright history, establishing the absolute boundary of sampling.

The Infringement Details The dispute arose over a two-second guitar arpeggio sample from Funkadelic's song "Get Off Your Ass and Jam." The hip-hop group N.W.A. lowered the pitch, looped it, and placed it as background audio in the movie *I Got the Hook Up*. Bridgeport Music (the publisher of Funkadelic's composition) and Westbound Records (the owner of the sound recording master) sued Dimension Films for infringement.

The 6th Circuit Ruling The 6th Circuit Court of Appeals ruled that there is no de minimis defense for sampling sound recordings. The court rejected the argument that the sample was too brief or altered to be recognizable.

Under Section 114, the court held that any physical copying of a sound recording constitutes automatic copyright infringement: > *"Get a license or do not sample. We do not think this is an heroic requirement."*

Real-World Impact This ruling established a strict, zero-tolerance licensing requirement for the hip-hop and electronic music industries within the 6th Circuit (which includes Nashville). It forced labels and distributors to implement strict, exhaustive master clearance checklists.

Legal Citations & Known Aliases

410 F.3d 792funkadelic sample lawsuitNWA sample lawsuitget a license or do not sampleBridgeport

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